In Conversation with Lisa Chandler: From Stunt Performer to Star in Longlegs and Billy the Kid
Lisa Chandler is one of those rare talents that come up once in a blue moon, being an accomplished actress and stuntwoman who skillfully navigates the worlds of thrillers and historical dramas alike. This summer, she steps into the spotlight as the enigmatic Mother Camera in Osgood Perkins' Longlegs, a story shrouded in mystery. Additionally, Lisa Chandler takes on the role of Susan McSween in the MGM+ series Billy the Kid.
Set against the backdrop of a gripping narrative, Longlegs follows FBI Agent Lee Harker, portrayed by Maika Monroe, as she unravels the chilling case of a mysterious serial killer played by Nicolas Cage. Meanwhile, in Billy the Kid, created by the acclaimed Michael Hirst, Lisa embodies the legendary Cattle Queen of New Mexico, a pivotal figure in the tumultuous Lincoln County War.
With over 200 stunt credits to her name, including work on HBO's The Last of Us and The CW's Supergirl, Lisa's versatility shines through her performances, whether she’s commanding the screen or executing breathtaking stunts for Hollywood’s leading ladies. Her journey from doubling for stars like Charlize Theron to captivating audiences with her authentic portrayals showcases her relentless dedication to her craft.
As we delve into Lisa's experiences and insights, we explore the depth of her characters and the artistry behind her remarkable career. Join us as we uncover the story behind the woman who fearlessly navigates both the dramatic and action-packed realms of entertainment.
Given your character, Mother Camera in LONGLEGS, is described as the "enigmatic matriarch" of the Camera Family, can you elaborate on the complexities of this role?
Mother Camera’s transition from a simple farm life to encountering the doll was pivotal. It was as if the doll unearthed layers of her character that had long been suppressed—her sexuality, her physicality. Through this symbolic object, she was finally able to confront her fears and assert herself as the protagonist of her own narrative, a role she had never fully embraced before.
What was it like working with Osgood Perkins, known for his unique cinematic style, and how did his vision shape your portrayal of Mother Camera?
Oz’s vision for Mother Camera in the script was so captivating it gave me goosebumps on my first read. His cinematic flair is evident in his use of lenses, lighting, and his preference for shooting on film. On set, his direction creates a space where you can truly be yourself as if you’re in a world where no one’s watching, and you’re free to simply play.
In Billy the Kid, you portray Susan McSween, a strong and independent woman of the 19th century. How did you research and prepare for this role, especially considering the historical significance of your character?
I delved deeply into researching this woman—I poured over books, articles, news clips, and various online sources. Everything I found consistently related to the Lincoln County War. I wanted to show the audience who Susan was with a spiracle of myself in her.
What aspects of Susan McSween’s character resonate with you the most?
I was really drawn to the fact that she was such a powerhouse in the rough-and-tumble Wild West. Despite starting with almost nothing, she pulled herself out of a tough spot and became a legendary rancher. Known as the "Queen of the West," she took the southwestern states by storm, managing over 8,000 head of cattle like it was no big deal.
I find it fascinating that you have such an extensive career as a stunt double, with over 200 stunt credits. What was your very first stunt on camera, and what’s been your most memorable one so far?
My very first on-camera stunt was actually for a hockey movie filmed just outside Calgary, Alberta. At the time, I was playing hockey for the women's team at Mount Royal College in Calgary when my coach informed me that a local film needed a goalie double for some scenes. The stunt coordinator and assistant, Jodi Stecyk and Mike Carpenter, became good friends of mine later on down the road. It wasn’t until a few years later that I decided to seriously pursue stunts, which eventually set me on the path to where I am today.
It seems like every time you do a new stunt, the one you just did becomes the most unforgettable, thanks to the other performers, the location, and the stunt itself. But if I had to pick my all-time favorite, it would definitely be working on the TV show, Siren. I spent a few seasons doing underwater stunts in a water tank, playing mermaids on that show; I was both doubling for some actresses and being a mermaid myself, and it was an absolute blast. I was in the water, cracking up with friends, almost drowning from laughing too hard, and making a TV show—honestly, it couldn’t have been any better.
How do you prepare physically and mentally for demanding stunt roles, especially when doubling for other actors like Charlize Theron in Tully?
Physically, I’m all about weights, Muay Thai, and free diving. Free diving is like my mental vacation, weights are my strength-building buddies, and Muay Thai keeps me on my toes. Plus, there’s nothing like a great sparring partner or a killer bag workout to keep things interesting.
Given your extensive experience, what advice would you give to aspiring actors and stunt performers?
Oh man, I’m actually taking advice from others—who knew? Ha ha! As for giving advice, what I’ve learned on this amazing journey is that if you’re in it just for the money, you’re in it for the wrong reasons. If you’re here for the experience, to learn something new, creating art, then you’re off to a great start. Nothing happens overnight in this industry. Create your own projects if you want to make progress—don’t just sit around waiting for the phone to ring because, spoiler alert, it probably won’t. And, of course, a little bit of luck never hurts!
Looking ahead, are there any genres or types of roles you’re particularly excited to explore in the future?
I’m a fan of all genres, but right now, I’m still buzzing from my time in horror—especially psychological thrillers. I’m itching to play a villain next. After all, who doesn’t want to have a little fun being the bad girl?
And in that same regard, what’s next for Lisa Chandler after such a huge film?
I just wrapped up a blast of a film (sorry, can’t spill the beans…yet!) where I got to rock some groovy 1960s outfits, splash around in a sea of blood, and enjoy a few laugh-out-loud gags. It’s hitting theaters in Summer 2025. I also finished working on an HBO show this past summer, which was as amazing as stopping the gas pump on the exact dollar. You know what I mean ;)